Good luck to anyone who's submitting. I reckon from my experience of querying, the average waiting time for a response from agents is two months. The slowest took 16 months to respond, but at least they did—it almost made me feel guilty imagining them wading through piles of manuscripts.
I recently received my 15th rejection letter from the latest batch of 60 queries I sent out in October/November, and it was the first personalised message. It came from a relatively new agency that's run by two women—I've found that small independent agencies and publishers are always more polite than the big boys.
The reply said that
'although I write beautifully, giving a keen sense of time and place, and with a compelling plot, my story didn't fit their current search for new projects to take on.'
As rejections go, this was encouraging, but it made me think that even though they liked my novel, there was something lacking. I skipped around that booby-trapped doubt for a while, before pondering that it's utterly impossible to know what commercial considerations an agent is judging a manuscript by—such as location, the amount of sex and violence in the story (too little or too much)—and other irksome factors like the age of the writer, their appearance and existing online presence.
Also—and this is a scary thought, as it's even more unknowable—perhaps the agency you've just spend hours preparing an immaculate submissions package for, simply isn't considering any new clients at all, as they're already at full-stretch promoting the work of their existing roster. The best literary agencies say on their website if they are not looking for new clients—Agent Pete's Redhammer Agency has such
a statement about unsolicited submissions.
But, as anyone who's researched literary agencies knows, they are not great communicators and the last place to find accurate information about their likes and dislikes is their official website. I've found sites featuring agents who'd moved on to other firms or retired. Some agents' employee profiles stated that they were actively looking for fresh talent, but their Twitter and Facebook postings declared they had enough clients!
I guess agencies don't update their own websites, for fear of losing out on the next J K Rowling or Dan Brown—even if this does mean they routinely turn away thousands of other hopefuls.