• Café Life is the Colony's main hangout, watering hole and meeting point.

    This is a place where you'll meet and make writing friends, and indulge in stratospherically-elevated wit or barometrically low humour.

    Some Colonists pop in religiously every day before or after work. Others we see here less regularly, but all are equally welcome. Two important grounds rules…

    • Don't give offence
    • Don't take offence

    We now allow political discussion, but strongly suggest it takes place in the Steam Room, which is a private sub-forum within Café Life. It’s only accessible to Full Members.

    You can dismiss this notice by clicking the "x" box

Self-Publishing Need help clarifying serialized book cover copyright

Invest in You. Get Full Membership now.
Joined
Feb 21, 2024
Location
Kota Kinabalu, Sabah
LitBits
69
Malaysia
The Situation: I have just completed Volume I on Royal Road and plan three more volumes this year (those readers do love consistent verbiage). For the covers going forward, I would like to pay a local artist whose work I adore. She's up for it and seems interested in branching out into book covers.

The Question: In order to start things off on the right foot, we would like to know where we stand on copyright and licensing of the covers. Beyond a few necessary elements, they'll be entirely her work. Does anyone know how to proceed and whether there is a standard way to approach this?

Edit to add: This is Royal Road and these volumes will not be monetized, i.e. no royalties.
 
Last edited:
I recommend, first, asking someone qualified, like a publishing solicitor. It's complicated, and the advice would be worth paying for. Seriously.

Long ago, when I used to buy stuff for a magazine, including commissioning illustrations, whenever possible we suggested 'All rights', which I believe (!! check) gave the magazine, or the magazine company, the copyright.
When the illustrator had an agent, though – and the big time* ones did – they would never agree to that, but negotiated on each individual jurisdiction, like UK&Com or FBSR (First British Serial Rights)only. US&Can, which could be an important market for you, was a separate entity.

*One of my faves – he used to drop in now and then – did film posters, like the Bond films, etc. He only worked for us to keep busy, I think.
 

Further Articles from the Author Platform

Latest Articles By Litopians

  • The Language Of Place
    Pimp, dick, bumfit admittedly sounds well dodgy. Or at least it does if you don’t live in these pa ...
  • If the Protagonist Had Slept in
    The PROTAGONIST’S room. Chapter One’s bloodstained clothes still cover the floor. The DIRECTOR s ...
  • A Fresh Start
    There comes a point in life* when you must admit that you were wrong. A story is trundling along at ...
  • The Book They Actually Wanted
    Writers need feedback, and I have found the perfect focus group*. It offers raw, physical reactions, ...
  • People Like Those: Aigneis
    Aigneis is a diminutive lady in her 80s, still sharp of mind, though frail of limb. She moved to Bir ...
  • Where it all started
    When Alphonse de Lamartine said “music is the literature of the heart,” I’m pretty sure he was ...
  • If Genre Were A Custody Battle
    A conference room. Two GENRES sit fuming on opposite sides of a table. The DIRECTOR sits at the head ...
What Goes Around
Comes Around!
Back
Top