Paul Whybrow
Full Member
We’ve discussed first and last lines on the forum before, including here and here, but I came across a thought-provoking article this afternoon which suggests that the first and last line can be complementary...bookends, if you will, of the story.
This sent me scurrying to my Cornish Detective series.
Who Kills A Nudist?
* The weather wanted her: she couldn't resist its call.
* He was starting to believe in happy endings.
The Perfect Murderer
* Roger Rule flicked the frequency on his police-scanner, chasing the air-wave communications of Devon & Cornwall Police.
* It was time for him to be where he was again, to inhabit himself once more—he'd been missing his own life.
An Elegant Murder
* Joy trod carefully along the stony track, avoiding the sharp points.
* He couldn't be happier.
Sin Killers
* The ribbons fluttered their messages onto the wind.
* Lone as a mountain lion, he went off through the cold, bulleting rain back to his moorland lair.
The Dead Need Nobody
* The painter wiped the surplus carmine off a fine camel-hair brush pulling it through a dampened pad of cotton wool soaked in white spirit on the shelf of her easel.
* What else could he do?
I see that I begin my stories with what I hope is an intriguing premise of something happening and that I try to end them on an upbeat note for my detective protagonist. This is a deliberate ploy—plunge the reader into a situation—then leave them thinking the detective is OK at The End.
How do you start and end your stories?
Examples, please….
This sent me scurrying to my Cornish Detective series.
Who Kills A Nudist?
* The weather wanted her: she couldn't resist its call.
* He was starting to believe in happy endings.
The Perfect Murderer
* Roger Rule flicked the frequency on his police-scanner, chasing the air-wave communications of Devon & Cornwall Police.
* It was time for him to be where he was again, to inhabit himself once more—he'd been missing his own life.
An Elegant Murder
* Joy trod carefully along the stony track, avoiding the sharp points.
* He couldn't be happier.
Sin Killers
* The ribbons fluttered their messages onto the wind.
* Lone as a mountain lion, he went off through the cold, bulleting rain back to his moorland lair.
The Dead Need Nobody
* The painter wiped the surplus carmine off a fine camel-hair brush pulling it through a dampened pad of cotton wool soaked in white spirit on the shelf of her easel.
* What else could he do?
I see that I begin my stories with what I hope is an intriguing premise of something happening and that I try to end them on an upbeat note for my detective protagonist. This is a deliberate ploy—plunge the reader into a situation—then leave them thinking the detective is OK at The End.
How do you start and end your stories?
Examples, please….