Stephen King: Can a Novelist Be Too Productive?

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Paul Whybrow

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Jun 20, 2015
Cornwall, UK
Some of you may have seen this article by Stephen King, which was in the New York Times in their Sunday Review section on 27th August.

http://www.nytimes.com/2015/08/31/opinion/stephen-king-can-a-novelist-be-too-productive.html?_r=0

It certainly made me think about the relationship between quality and productivity. I created a lot of writing when I jump-started my creativity in June 2013. It was impossible for me not to write, and nine novellas, four short stories and thirty volumes of poetry and song lyrics poured out of me - a literary Mount Saint Helens. 2014 was devoted to writing my first novel, with a few poems thrown in for sanity's sake.

2015 has been spent chasing literary agents, and all I've done creatively is write four poems. I'm just starting to plot my second novel. All of this activity has given me an appreciation of the fits and starts of some authors' careers, as well as the production line output of others. It's always puzzled me how some writers take so long to produce a new novel, while others appear to be one-hit-wonders. Arundhati Roy wrote 'The God of Small Things', which deservedly won the 1997 Booker Prize for Fiction. Although she announced that she was working on a second novel in 2007, it's yet to appear. This is not to say that she hasn't been busy, as she's written many essays and become an advocate and activist for social causes.

At the other extreme is British romantic novelist Barbara Cartland. She wrote more than 700 books, leaving behind 160 unpublished manuscripts on her death at the age of 98. Her worldwide sales are estimated to be anything from 750 million to more than 2 billion copies. You might think that she would have worn her fingers away with this output, but her usual writing method was to lay on a sofa and tell the story to her secretary, who later typed it up. In this way, she created a novel in two weeks.

I'm guessing that most Colonists are somewhere in between Arundhati Roy and Barbara Cartland in their productivity.

What do you think about the conundrum posed that being prolific means a drop in quality, while taking time produces fine literature?
 
It's impossible to answer, though one might say the average is somewhere in-between. Each Author is unique rather like their stories.
 
Some of you may have seen this article by Stephen King, which was in the New York Times in their Sunday Review section on 27th August.

http://www.nytimes.com/2015/08/31/opinion/stephen-king-can-a-novelist-be-too-productive.html?_r=0

It certainly made me think about the relationship between quality and productivity. I created a lot of writing when I jump-started my creativity in June 2013. It was impossible for me not to write, and nine novellas, four short stories and thirty volumes of poetry and song lyrics poured out of me - a literary Mount Saint Helens. 2014 was devoted to writing my first novel, with a few poems thrown in for sanity's sake.

2015 has been spent chasing literary agents, and all I've done creatively is write four poems. I'm just starting to plot my second novel. All of this activity has given me an appreciation of the fits and starts of some authors' careers, as well as the production line output of others. It's always puzzled me how some writers take so long to produce a new novel, while others appear to be one-hit-wonders. Arundhati Roy wrote 'The God of Small Things', which deservedly won the 1997 Booker Prize for Fiction. Although she announced that she was working on a second novel in 2007, it's yet to appear. This is not to say that she hasn't been busy, as she's written many essays and become an advocate and activist for social causes.

At the other extreme is British romantic novelist Barbara Cartland. She wrote more than 700 books, leaving behind 160 unpublished manuscripts on her death at the age of 98. Her worldwide sales are estimated to be anything from 750 million to more than 2 billion copies. You might think that she would have worn her fingers away with this output, but her usual writing method was to lay on a sofa and tell the story to her secretary, who later typed it up. In this way, she created a novel in two weeks.

I'm guessing that most Colonists are somewhere in between Arundhati Roy and Barbara Cartland in their productivity.

What do you think about the conundrum posed that being prolific means a drop in quality, while taking time produces fine literature?
I don't know about fine literature, and there's all kinds of jokes about the writer who is never done with his opus, but I think it allows for greater complexity, and involvement. The first book in the series in which I'm currently working was written over about seven weeks; the second book was written over the course of three years, and I'm glad I took the time to give it the care it needed.
 
Some very good, and prolific writers like the very intelligent writer on social and family mores, Joanna Trollope, have a formula and manage about one a year. Once they have a fan base, as with Stephen King, they'll be forgiven the fact that some books might be better than others. But also, the pantheon consists of the great stand- out books, and a writer needs only one of those to last, whatever the current market's doing.

Some Literary One Hit Wonders
 
It's genre-related as well. In the world where I write - erotic romance - if you stop producing, you lose readers. The practice of waiting patiently for a year before the next book by your favorite author hits the shelves is rapidly declining, IMHO. This is bound to affect quality, something I'm constantly bitching about.
 
I'm kind of curmudgeonly with many series writers and mass-production specialists like Mr. King. I am completely unable to even get a full chapter into work by either James Patterson or another fave here, Patricia Cornwall. They have millions of readers. Stephen King also ticked me off with the steadily declining quality in his Dark Tower Series. I even bought the concordance, fer chrissakes! By the time I was through book four, I was tearing my hair out with his cute intrusions and easter egg laying, etc. Leave me the frig alone and let me read the story! It's all I ask.

I also find some authors, like James Lee Burke and Annie Proulx eventually become so self-indulgent it can be very hard to stick with a book. Formulaic writing has a place, certainly. It can be really entertaining and if the reader can absorb the "givens" it can work well, but if the author leaves their muddy footprints everywhere you tread, it gets old fast. For me at least.
 
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It's genre-related as well. In the world where I write - erotic romance - if you stop producing, you lose readers. The practice of waiting patiently for a year before the next book by your favorite author hits the shelves is rapidly declining, IMHO. This is bound to affect quality, something I'm constantly bitching about.
Hence why a lot of thriller authors are starting to release ebook short stories in between releases. Unfortunate because I can only read so many books, and I enjoy the quality and time my authors put into a book a year.
 
Richard, that Dark Tower series got on my last nerve. I realize it was right in the middle of when he got hit by a car and broke his hip, but the damn thing was all over the place and just too bizarre, even for me. I couldn't even finish it.
 
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