Paul Whybrow
Full Member
I came across a startling piece of advice yesterday, which describes how to seduce the reader. According to science-fiction author, Colin Greenland writing is all foreplay:
Plotting is like sex. Plotting is about desire and satisfaction, anticipation and release. You have to arouse your readers' desire to know what happens, to unravel the mystery, to see good triumph. You have to sustain it, keep it warm, feed it, just a little bit, not much at a time, as your story goes on. That's called suspense. It can bring desire to a frenzy, in which case you are in a good position to bring off a wonderful climax.
I freely admit that in my Cornish Detective novels, I like to lead my readers astray, laying out enough slippery red herrings to trip them up, and I hope that my climaxes leave them in a lather of excitement, eager for the next one, but I'd never previously thought that I was seducing them....
If anything, I compared what I do to a magician's act, with stagecraft and misdirection before the startling revelation.
I'd better modify my technique...how about you?
Plotting is like sex. Plotting is about desire and satisfaction, anticipation and release. You have to arouse your readers' desire to know what happens, to unravel the mystery, to see good triumph. You have to sustain it, keep it warm, feed it, just a little bit, not much at a time, as your story goes on. That's called suspense. It can bring desire to a frenzy, in which case you are in a good position to bring off a wonderful climax.
I freely admit that in my Cornish Detective novels, I like to lead my readers astray, laying out enough slippery red herrings to trip them up, and I hope that my climaxes leave them in a lather of excitement, eager for the next one, but I'd never previously thought that I was seducing them....
If anything, I compared what I do to a magician's act, with stagecraft and misdirection before the startling revelation.
I'd better modify my technique...how about you?