Litopia

We’re delighted you’re here! You’re just a few clicks away from joining the ‘net’s oldest community for writers… and certainly the friendliest. Click the “Register” button to create a free account. See you in the Colony!

  • Clichés & Tropes! Can’t live with ‘em, can’t live without ‘em! Share your opinion in the latest Craft Chat, live now until Saturday

Fantastic setting and how to write them

Show Me the Money!—successful self-publishers

An Editor's Role

Status
Not open for further replies.

Paul Whybrow

Full Member
LV
0
 
Useful advice, thank you Quillwitch. The Cornish landscape is an integral part of my crime novels. In this way, I agree with Elizabeth George, who wrote a series of stories about Inspector Lynley:

'The English tradition offers the great tapestry novel, where you have the emotional aspect of a detective's personal life, the circumstances of the crime, and, most important, the atmosphere of the English countryside that functions as another character.'
 

Robinne Weiss

Full Member
LV
0
 
Weather and seasonality. To me they are so important. I've been known to throw down books in disgust when the author gets those things wrong. So much of my own life revolves around the weather and the seasons, that I can't not include them in my writing. I agree that the setting is another character, with a particular personality that must integrate with the plot.
 
Status
Not open for further replies.

Show Me the Money!—successful self-publishers

An Editor's Role

Top