Paul Whybrow
Full Member
I previously posted a thread about finding inspiration in dreams, and it continues to happen.
When working on a new story I follow Thomas Edison's advice:
Never go to sleep without an appeal to your subconscious.
As I'm dropping off each night, I think of where I finished writing to act as a springboard into ideas about where to go next as I snore away.
Recently, I've immersed myself in 1868 America, the Era of Reconstruction when the country was trying to rebuild itself after the Civil War. The form of the story is of necessity linear, as my protagonist Art, a shelled-shocked Union army cavalry officer journeys from the Appalachian mountains to his sister's plantation in Georgia.
He encounters various travellers on the trail and is pursued by a homicidal madman, a former Confederate raider who is continuing the war. Bolt is the evilest character I've created. Struck by lightning at the Battle of Ox Hill, which took place in a storm, his brain was thrown out of whack. I've been tapping into the Gothic atmosphere of the Appalachians, and I wanted there to be some biblical elements and references to what it means to have a soul.
I've already had Art encounter a group of Quaker pilgrims and intended to bring the pastor back as Art's saviour when he gets captured and tortured by Bolt, but was casting around for a way of enabling this pacifist to commit a violent act. I may turn to an idea I had where the pastor releases the lock on a canal or a sluice gate or damages a beaver dam—which unleashes a torrent of water that sweeps the bad guy to his doom. That could work, but I wanted some other holy power, some extra pestilence, and my weird brain made a suggestion.
As has happened many times before, my sleeping grey cells threw up an idea. You know how sometimes you have strange dreams that appear to have oblique significance? Well, just before I was due to wake, I suddenly went into a dream debate about statins. I'd seen a story about them somewhere but hadn't read it, yet in the dream, I was arguing with someone about the use of statins in punctuating sentences.
My rival, (presumably me as well), kept saying that statins were drugs that lowered cholesterol, not punctuation marks!
I was getting pissed-off with this illogical debate when the image of a giant, shiny, black and yellow hornet laid itself across my dream screen. It wasn't threatening and looked like an illustration from an insect identification field-guide. I woke myself, and as I started the day wondered why I'd dreamt about a hornet—it seemed to be important in some way—then, I remembered my story. So, Bolt is going to put his foot in a hornet's nest, running to the river to wash them off, only to be swept away. I may impale him on a branch in a crucifix way, adding to the sense of divine retribution. I like being God!
Thanks, brain. It's good that you work sometimes....
I'm on the lookout for an affordable copy of Inner Work: Using Dreams and Active Imagination for Personal Growth, by Robert A. Johnson.
Have any of you had dreams that were inspiring—nocturnal eureka moments—that helped you with plot development?
When working on a new story I follow Thomas Edison's advice:
Never go to sleep without an appeal to your subconscious.
As I'm dropping off each night, I think of where I finished writing to act as a springboard into ideas about where to go next as I snore away.
Recently, I've immersed myself in 1868 America, the Era of Reconstruction when the country was trying to rebuild itself after the Civil War. The form of the story is of necessity linear, as my protagonist Art, a shelled-shocked Union army cavalry officer journeys from the Appalachian mountains to his sister's plantation in Georgia.
He encounters various travellers on the trail and is pursued by a homicidal madman, a former Confederate raider who is continuing the war. Bolt is the evilest character I've created. Struck by lightning at the Battle of Ox Hill, which took place in a storm, his brain was thrown out of whack. I've been tapping into the Gothic atmosphere of the Appalachians, and I wanted there to be some biblical elements and references to what it means to have a soul.
I've already had Art encounter a group of Quaker pilgrims and intended to bring the pastor back as Art's saviour when he gets captured and tortured by Bolt, but was casting around for a way of enabling this pacifist to commit a violent act. I may turn to an idea I had where the pastor releases the lock on a canal or a sluice gate or damages a beaver dam—which unleashes a torrent of water that sweeps the bad guy to his doom. That could work, but I wanted some other holy power, some extra pestilence, and my weird brain made a suggestion.
As has happened many times before, my sleeping grey cells threw up an idea. You know how sometimes you have strange dreams that appear to have oblique significance? Well, just before I was due to wake, I suddenly went into a dream debate about statins. I'd seen a story about them somewhere but hadn't read it, yet in the dream, I was arguing with someone about the use of statins in punctuating sentences.

I was getting pissed-off with this illogical debate when the image of a giant, shiny, black and yellow hornet laid itself across my dream screen. It wasn't threatening and looked like an illustration from an insect identification field-guide. I woke myself, and as I started the day wondered why I'd dreamt about a hornet—it seemed to be important in some way—then, I remembered my story. So, Bolt is going to put his foot in a hornet's nest, running to the river to wash them off, only to be swept away. I may impale him on a branch in a crucifix way, adding to the sense of divine retribution. I like being God!
Thanks, brain. It's good that you work sometimes....
I'm on the lookout for an affordable copy of Inner Work: Using Dreams and Active Imagination for Personal Growth, by Robert A. Johnson.
Have any of you had dreams that were inspiring—nocturnal eureka moments—that helped you with plot development?
