H
Herbie Cax
Guest
Debut author ... what exactly does 'debut' mean?
As everyone (probably) suspects, it's a French word, with origins in the mid 18th century. It means first appearance or first performance in a particular role. So a debut author is appearing in public for the first time in his or her role as an author.
I write - two unpublished books, several poems and a blog and thus I tentatively call myself an author. I even have an author's website. But I have written all my life. My debut performance is therefore a very long one and its extension has been guaranteed by an inertia, partly fuelled by fear of rejection and partly by procrastination.
This procrastinating, frightened debutante has finished editing (though, admittedly, I have said that before), has cut and re-cut and cut again the synopses for both books and has written rough templates for agent letters. I even have a customised letter head. All that is needed is an agent.
The Children's Writers' and Artists' Yearbook (2015 edition; 2013 and 2014 sit on the bookshelf above my procrastinating head) is on my desk - pencilled notes, circles, exclamation marks and asterisks scattered over the agent pages. How do you choose?
I started with one agency - it ticked all my criteria: London or south of England, good website, taking email submissions, client list with authors I have heard of and not too big, plus I liked its name. However, it is currently closed to submissions - the attraction of a quirky name, perhaps. Then I came here.
What do I need to do next?
As everyone (probably) suspects, it's a French word, with origins in the mid 18th century. It means first appearance or first performance in a particular role. So a debut author is appearing in public for the first time in his or her role as an author.
I write - two unpublished books, several poems and a blog and thus I tentatively call myself an author. I even have an author's website. But I have written all my life. My debut performance is therefore a very long one and its extension has been guaranteed by an inertia, partly fuelled by fear of rejection and partly by procrastination.
This procrastinating, frightened debutante has finished editing (though, admittedly, I have said that before), has cut and re-cut and cut again the synopses for both books and has written rough templates for agent letters. I even have a customised letter head. All that is needed is an agent.
The Children's Writers' and Artists' Yearbook (2015 edition; 2013 and 2014 sit on the bookshelf above my procrastinating head) is on my desk - pencilled notes, circles, exclamation marks and asterisks scattered over the agent pages. How do you choose?
I started with one agency - it ticked all my criteria: London or south of England, good website, taking email submissions, client list with authors I have heard of and not too big, plus I liked its name. However, it is currently closed to submissions - the attraction of a quirky name, perhaps. Then I came here.
What do I need to do next?