Today’s Book News Thursday, 20th November 2025
The National Book Awards ceremony saw winners use their platforms to advocate for change. Amazon honoured Clare Leslie Hall’s Broken Country, and Cambridge Dictionary’s 2025 Word of the Year - parasocial - reflects an online culture shift.
At the 76th National Book Awards in New York, winners including fiction honoree Rabih Alameddine and nonfiction winner Omar El Akkad used their acceptance speeches to address social injustice and call for change. Emcee Jeff Hiller and award recipients Roxane Gay and George Saunders highlighted the power of publishing to tell diverse stories and urged the industry to address inequity. The ceremony underscored how literary awards can spark conversations about representation and activism.
Christian publishers are catering to families and individuals preparing for Advent with a wave of devotional books. Offerings range from Rich Villodas’s illustrated “Waiting for Jesus” and Carol Ghattas’s grief‑focused “When You Don’t Feel Like Celebrating” to Anne Neilson’s art‑rich “Christmas Angels” and Sherri Hughes‑Gragg’s “The Compassionate Christ.” Many include playlists, journal prompts, or QR codes, reflecting a trend toward multimedia devotionals.
Eerdmans, WaterBrook, Herald Press, Zondervan and Revell announced new acquisitions for 2026–27. The deals include Roger Hutchison’s contemplative guide “Into the Woulds” (2027), Alabaster Co.’s Bible‑and‑photography series launching WaterBrook’s “The Bible Beautiful” line (first release summer 2027), Sarah Sanderson’s prayer guide “On Earth” (fall 2026), Emily Morrow’s memoir “Hold Fast” (spring 2027), and Bethany Spencer’s two‑book series on grief starting with “Living Lament” (spring 2027). These purchases illustrate the continued appetite for faith‑driven titles and new imprints.
Amazon UK named Clare Leslie Hall’s novel “Broken Country” as its Best Book of the Year for 2025. The prize recognises the John Murray Press debut for its lyrical, evocative storytelling, raising the author’s profile and boosting sales on Amazon’s platforms.
Cambridge Dictionary chose “parasocial”—a term for one‑sided relationships with celebrities—as its Word of the Year for 2025. The selection highlights growing cultural awareness of online fandom and the blurred boundaries between fans and public figures, reflecting digital‑age social dynamics.
Independent publisher Joffe Books struck two separate 10‑book deals with self‑published crime writers Conrad Jones and Heather Peck. The agreements underscore how successful indie authors are attracting traditional publishing partners and demonstrate publishers’ willingness to invest in prolific genre writers.
Scotland’s National Book Awards, the Saltires, announced their 2025 winners. Novelist Kate Atkinson received the lifetime achievement honour, while other categories recognised the breadth of Scottish literature. The awards continue to champion Scottish writers and raise the profile of regional voices.
Authors David Nicholls, Katherine Rundell, Katherine Webber and Monisha Rajesh have donated unique prizes and experiences to the Creatives4Sudan charity auction. The fundraiser, co‑organised by Louie Stowell, will auction signed books, mentorship sessions and bespoke writing packages, with proceeds supporting humanitarian relief efforts in Sudan. It exemplifies how authors can leverage their platforms for charitable causes.
Toronto’s Kimpton St. George Hotel has teamed up with Type Books to create a lobby bookstore as part of the Books for a Better Tomorrow initiative. Guests can purchase a rotating selection of Canadian books—from Alex Neve’s human‑rights essays to Michael Ondaatje’s fiction—with 20% of profits donated to a student afterschool program. The partnership promotes Canadian authors and integrates retail and hospitality.
Canadian authors Maria Reva (“Endling”), Kyle Edwards (“Small Ceremonies”) and Éric Chacour (“What I Know About You”) were among 69 titles nominated by libraries worldwide for the 2026 Dublin Literary Award. The longlist and shortlist will be announced in 2026; all three novels have previously earned major accolades, underscoring the strength of contemporary Canadian fiction on the global stage.
In a guest post for the Scholarly Kitchen, Wendy Queen interviews Trevor Owens about using oral history and storytelling to preserve scientific knowledge. Owens argues that building robust memory infrastructure and including diverse voices are essential to ensuring the narratives of science remain accessible and inclusive. He encourages cross‑disciplinary collaboration between the humanities and sciences to document and communicate scientific progress.