Title: Today’s Book News Friday, 5th December 2025 (London date)
Financial updates from Wiley, U.S. library grants restored, and a new papal book announced. A new nonfiction imprint and staff moves signalled fresh directions in the industry. Frankfurt discussions considered challenges in adapting literature for film. Editors shared their favourite media of 2025, and research showed poetry can bypass AI guardrails as tech firms tweak teen services.
Publishers Weekly interviewed poet and editor Shane McCrae about Only Sing, his collection of 152 previously unpublished Dream Songs by John Berryman. McCrae said the 18‑line poems extend Berryman’s epic by charting highs and lows and exploring love, work and identity
Author Adam Morgan shared six novels and memoirs by modernist‑era women that were censored, condemned or rejected because they were sexually explicit or exposed gender inequality. While researching Margaret C. Anderson and The Little Review, he discovered how governments, critics and publishers suppressed these now‑classic works
Publishers Lunch reported that Wiley’s second‑quarter sales slipped 1 %, but operating income rose 13.8 % to $73 million, income before taxes climbed 18.5 % to $58 million and adjusted EBITDA was up 8 %. Interim CEO Matthew Kissner said record research volume and AI‑driven momentum were driving the company’s profitability
After a federal judge permanently enjoined efforts to dismantle the Institute of Museum and Library Services, the agency reinstated all federal grants. Awardees learned on 26 November that funding was restored, and the American Library Association hailed the decision as a win for libraries and their patrons
Publishers Lunch announced that Pope Leo XIV’s first full‑length book, “PEACE BE WITH YOU! My Words to the Church and to the World,” will be published on 26 February by Harper One. The volume gathers his sermons and addresses since his election and sets out a message of peace, unity and reconciliation
Eoin Purcell and Blathnaid Healy launched Full Set, a new Dublin‑based nonfiction publishing house that will commission globally. The imprint will debut its first list in late 2026 and focus on current affairs and business titles, aiming to produce rewarding reads across formats
One World named Milena Brown vice‑president and deputy publisher. Cherry Lake Publishing Group appointed Matt Warner director of marketing, and Emily Engwall joined Poisoned Pen Press as marketing and publicity manager
On the Open Book podcast, Sourcebooks founder and CEO Dominique Raccah said the publisher’s success comes from balancing a passion for reading with rigorous data analysis. She explained that she reads broadly to ask why stories matter while also using statistics to understand impact and discover how readers find books
At the Frankfurt Book Fair’s Book‑to‑Screen Day, director Luiz Fernando Carvalho and Penguin Verlag publisher Britta Egetemeier discussed adapting Clarice Lispector’s novel “The Passion According to G.H.” for film. They said introspective literature is hard to translate to the screen but noted that good writing is universal and emphasised the importance of language and trust between publishers and filmmakers
Quill and Quire reported that Éditions de l’Élan vert bought world French rights to Kallie George and Sara Gillingham’s “Mushrooms Know: Wisdom From Our Friends the Fungi.” Greystone Books arranged the deal and also sold rights to Siglo XXI Editores in Argentina and another territory
In The Scholarly Kitchen’s year‑end feature, editors Rick Anderson, Roy Kaufman and Alice Meadows shared their favourite media discoveries of 2025. Anderson highlighted classical and electronic recordings such as the album “Josquin in Poland” and Tim Reaper & Kloke’s “In Full Effect,” noting that the list reflects the best media they enjoyed in the year
The Alliance of Independent Authors reported a study showing that human‑written poems bypassed AI safety guardrails with a 62 % success rate, outperforming AI‑generated poems The same update noted that Character AI will offer teenagers a story‑generation feature after limiting access to its chatbot, though the company gave little detail about its training data