Should sequels necessarily follow the protagonists the readers met in the first book? Or can one leap far forward in time to return to the world after the original characters are dead or very old? Is that letting readers down?
I don't think so, no, not necessarily.Should sequels necessarily follow the protagonists the readers met in the first book?
Certainly, if it serves the story. I don't see why you couldn't go back in time as well, or sideways.Or can one leap far forward in time to return to the world after the original characters are dead or very old?
I think that all depends on the expectations you've engendered in your readers. If the first volume ends with lots of central-character questions unanswered, then it's likely that your readers would expect a direct sequel (you'd be writing a serial, not simply a series), but if the protagonist's major plot goals have been achieved at the end of volume one, you'd be free to go where you like in volume two, I reckon.Is that letting readers down?
I don't see why you couldn't go back in time as well, or sideways.
Another thought: Although I confess to not being a fan of the genre (I find them a little samey), Marvell etc have had massive success with cross-overs and opening up 'worlds'.To digress, slightly, I enjoy it when a key character from one book is given a cameo or even a mention in another from the same author. Not so much a sequel as various books set in the same 'world'. Elmore Leonard did this frequently. Notably, in Tarntino's adaptation of Leonard's Rum Punch- Jackie Brown, Micheal Keaton played ATF agent Ray Nicolette. Keaton popped up, playing the same character in Steven Soderbergh's adaptation of Leonard's Out of Sight. A gimmick, maybe, but very satisfying for fans. My three novels are all set in the same 'world' or 'universe'-whatever you want to call it: I had Sam Conner, the protagonist from my first book, crop up in the second. I my second book Ariadne. an artist and forger, painted a picture called The Wretchedness of the Gimp, which turned up, hanging in a gangster's study, in the third book. A bit self indulgent, I'll admit, but fun. Anyway, just thought that might be something you could play with, a sequel that isn't?
Beat me to it!David Gemmell did this in his Waylander trilogy (an old fav)
It's your series, you get to choose! Either, or both, I'd say.Should sequels necessarily follow the protagonists the readers met in the first book? Or can one leap far forward in time to return to the world after the original characters are dead or very old? Is that letting readers down?
I would like to see some connection (otherwise what’s the point of a sequel). Maybe relatives of previous portags, or a house that passes through different protags. Just something to link previous story in some way.Should sequels necessarily follow the protagonists the readers met in the first book? Or can one leap far forward in time to return to the world after the original characters are dead or very old? Is that letting readers down?
Anne McCaffrey