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Self-Publishing Rant incoming - sorry.

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Jake E

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So, I've been reading a lot of Indie books recently...

And by 'reading a lot of indie books' I mean reading the free samples on Amazon, and I am somewhat perturbed.

Now, i am not the most confident of people. I lack a self confidence in my writing and general life that many seem to have in abundance. I struggle to sell my book (soon to be books) as I don't actually think it's that good. Or rather, i think it could be better.
But having read the first 2 or 3 chapters of some 'amazon best sellers' I'm quietly confident that what we write here in the colony is superior in almost every aspect, and that is due in huge part to the critiques we give each other.
No empty platitudes.
No holding back.
And, although it stings, it makes the writing better., and for that I am immensely grateful, because I just finished reading the sample chapters of an Amazon #1 best seller where all three of the starting sentences started with a fronted adverbial, the MC breaks his ankle (author describes the foot as 'facing the wrong way) from simply tripping on a curb, and a character not previously introduced or described is hit by a truck and we're supposed to feel sad about it.
Yesterday, I read a book with over 1000 five star reviews that, although written quite well, had a nonsense story full of plot contrivances that didn't make a whole lot of sense if put under the slightest scrutiny.

*Sorry, I warned you all this was a rant*

What I'm getting at, is a lot of these books feel under baked. Like the author had feedback and chose to ignore it, or didn't seek feedback at all (or looked for it in the wrong place), and kicked the story out the door without a coat on.

Maybe I'm just a snob, or perhaps I'm jealous of their success, but it irks me in ways I cannot put into words.

Trad pub has standards, and so should Indies. Some of these authors are on X blaming 'the market' as the reason they couldn't get a deal, when in reality, their story is just... Fuck it, I'll say it; it's shit.

Do i think my stories are amazing? No. I constantly worry that I'm disappointing people who buy them. I didn't get an agent for a reason, and that reason was not the nebulous 'market'.
But do I think my story is the best I can do?
Also no.
I'm getting better each time I sit at the computer, I'm always learning new writing rules and techniques.
But do I think it was the best I could do at the time? Yes, and that is due to the work I and others put into it.
So when I see a post on X saying beta readers are irrelevant and then read their piss poor attempt at writing, it makes me somewhat mad. Especially, since that writing as an average rating of 4.5 and 1000s of reviews.

Sorry. This has been long winded and I'm more angry at myself for not believing in my own writing. I don't push it, because i don't believe in it. But next to some of these 'best sellers' it's practically Shakespeare.

Rant over.
Roast me in thread lol.

J
 
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When every time I go to You tube I get an ad from some dipshit claiming to be making millions from amazon books even tho she's never written a word.... Well the above makes sense. So hats off for waking up and smelling the coffee. I suspect those reviews are as compromised as the GoodReads ones are. There is nothing the amazon overlords will not provide for a price. So no roast but Kona coffee beans ground and prepared into the best morning cup of Joe.
 
It seems to me a lot of this angst might be avoided by taking a step away from the tools of the oligarchs, such as Amazon and X.

Also, keep in mind what best selling means. The best selling foods aren't delicacies. They are cheap and overprocessed, and generate sales by virtue of being sold on highways and roadside for quick access.
 
I always like to work out why XYZ book has been successful. The process consists of a lot of post-facto reasoning, of course, but even so. It can sharpen your instincts.

The most interesting ones to analyze are from first-time authors whose success seems to be based on suddenly touching a nerve with readers.

Also, the exercise often reveals the yawning gap between what my industry usually considers to be “good” writing, and what readers actually relate to and buy.
 
Also, the exercise often reveals the yawning gap between what my industry usually considers to be “good” writing, and what readers actually relate to and buy.

This is the bit that has touched a nerve for me.
Some of the books I read were objectively bad. Bad prose, clunky sentences, forced plot points... None of it was what I would even consider amateur, just awful.
And yet.
 
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Yep, yep and yep. I skim the opening (like many do) of best sellers and yawn. Many take a while to get into, if at all. I know the adage "different strokes for different folks" and I get it. But, you're right; it is frustrating. But, crack on as you Brits say.
 
Also, the exercise often reveals the yawning gap between what my industry usually considers to be “good” writing, and what readers actually relate to and buy.

Yes, this. Totally. I do it too. What I've noticed......the average readers does not care for "good" writing. They don't care if the grammar is spot on. They don't care (within reason) if you tell. Or overuse ellipsis, or part of any bit of grammar. They want a character they can relate to in some way. They want to be entertained. They all want something different. I think that's the constant ongoing challenge for writers, and all authors...finding what touches a nerve with readers.

That's why, for my current book, I've stepped away from caring what readers want (not that I don't care about the reader!) and I'm writing what I enjoy. At least that's fun. Life is too short for anything else.
 
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One of the quickest paths to madness for us is to wonder why them, why not me.
Reality often does not make sense, because it doesn't have to. Fiction is supposed to, but, again, there are no rules determining what works, what hits the spot, and what doesn't in our world.
There should be.
But readers like what they like because they like it.
RK is dead on. Write what makes us happy and proud and excited. That we can control.
The rest is up to the universe, and the universe is an ass.
 
People buy reviews, followers, placements in contests, in film festivals, oscars, publication etc. It's well known. Here is my true story---
Last year my script was selected as semi-finalist for the Stowe Story Labs. The Director contacted me, full of praise and 'just wanted to know' if I would be able to fork the fee for the lab ($2600 for 4 days in upstate NY not including room or board or transport of course). I said no, this is why I applied for a scholarship. The Director said, OK we haven't decided yet on scholarships but I highly recommend you start a crowd funding campaign among your friends and family. Two months passed and I was selected finalist and then 'won' my place in the residency but not the scholarship, so I declined my place and they gave it to someone who could pay.

So sometimes you see people advertising placements/wins they were just bought and you could choose to play the game--nothing wrong with that. Or not.

I choose not to play because I know sooner or later the work must stand on its own two feet and not money. Plus there are many legit free opportunities by people who really care for art and look to champion new creators. And at the end, external validation is really nice to have, but that no longer drives me.

I think there is a certain level of egoism or chutzpah that a creator needs to have to defend his art thesis.
 
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