David McGuire
Basic
*Shuffles in quietly*
Ahem. Hi, everyone. It's nice to meet so many like minds.
My name's David, I'm 46, and by day I'm a marketing copywriter, writing content for big technology companies. But I'm much happier writing adventure stories for 10-12 year-olds (my own kids were strong readers who fell into a gap around that age: bored with MG, but not yet ready for YA... so that's the reader I have in mind).
I've got my first novel ("Soap"; 48,000 words) to a point where I'm happy to share it with agents and editors. That feels like quite an achievement in itself; in later life I'm beginning to realise my own neurodivergence, and I'm awaiting ADHD diagnosis, so having stuck with the work is quite something. I suppose I just enjoyed spending time with those characters, and inhabiting that world.
Having said that, initial submissions have been met with a scattering of positive-sounding rejections ("lots to admire... not quite right for my list") amid a wide, foggy field of silence.
(Goodness, it's hard, writing a forum post for other writers, isn't it? I feel like everyone's going to be judging my metaphors and semicolons. That foggy field is definitely trying too hard. Calm down, David.)
Anyway, the short version is that I'm feeling a little bit discouraged. I'm not sure if the work itself is simply old-fashioned/uncommercial (third person? In this day and age?!) or if the cover letter and synopsis are missing the mark. I hated summarising the plot in a page; it's a twisty story, and the major story beats seem random without all the foreshadowing that makes them make sense... argh.
My point is, it would be nice to hang with you, and feel like a writer for a bit.
(Is this OK? Am I doing it right? Am I waffling now?)
Reading-wise, I tend to gravitate to books with lovely worlds, smart conceits, adorable characters, and a big relentless hook of a story. I don't like overthinking too much, or worrying about whether something's literary. Could be Frances Hardinge (always a treat), Neil Gaiman, or Cornelia Funke... but equally Elizabeth Gaskell, Ralph Ellison, or Graham Greene. Currently balancing reading as much current MG as I can with wider research for my next book.
So... um... hi.
*Sits down at the back*
Ahem. Hi, everyone. It's nice to meet so many like minds.
My name's David, I'm 46, and by day I'm a marketing copywriter, writing content for big technology companies. But I'm much happier writing adventure stories for 10-12 year-olds (my own kids were strong readers who fell into a gap around that age: bored with MG, but not yet ready for YA... so that's the reader I have in mind).
I've got my first novel ("Soap"; 48,000 words) to a point where I'm happy to share it with agents and editors. That feels like quite an achievement in itself; in later life I'm beginning to realise my own neurodivergence, and I'm awaiting ADHD diagnosis, so having stuck with the work is quite something. I suppose I just enjoyed spending time with those characters, and inhabiting that world.
Having said that, initial submissions have been met with a scattering of positive-sounding rejections ("lots to admire... not quite right for my list") amid a wide, foggy field of silence.
(Goodness, it's hard, writing a forum post for other writers, isn't it? I feel like everyone's going to be judging my metaphors and semicolons. That foggy field is definitely trying too hard. Calm down, David.)
Anyway, the short version is that I'm feeling a little bit discouraged. I'm not sure if the work itself is simply old-fashioned/uncommercial (third person? In this day and age?!) or if the cover letter and synopsis are missing the mark. I hated summarising the plot in a page; it's a twisty story, and the major story beats seem random without all the foreshadowing that makes them make sense... argh.
My point is, it would be nice to hang with you, and feel like a writer for a bit.
(Is this OK? Am I doing it right? Am I waffling now?)
Reading-wise, I tend to gravitate to books with lovely worlds, smart conceits, adorable characters, and a big relentless hook of a story. I don't like overthinking too much, or worrying about whether something's literary. Could be Frances Hardinge (always a treat), Neil Gaiman, or Cornelia Funke... but equally Elizabeth Gaskell, Ralph Ellison, or Graham Greene. Currently balancing reading as much current MG as I can with wider research for my next book.
So... um... hi.
*Sits down at the back*